That being said, I am actually expecting the same when I walk into the Alamo Draft House tomorrow evening. But, of all things to hate, I'm not going to hold that against the movie at all. This is the entertainment I am paying for. I want to see 5 billion colors overloading my optical nerve and all of my other senses. I want to see more robot fodder than the grains of sand I have seen in my life. I want to see unreal scenes of action, survivability and limits of the human body. This is why I pay (too much) money to see this genre of movies in the theater.
When debating which format I was going to see "Dark of the Moon"(DLP or 3D), I did a bit of research (combing the bowels of the internet) on this very subject and found this very interesting letter from Paramount Pictures/Michael Bay, addressed to the projectionist of each theater showing the movie.
This has encouraged me to give 3D another chance, since we have already dogged the 3D movies in our X-Men: First Class Review . I am very interested to see improvements in the 3D movie realm as I find the concept fascinating, but the execution so far to be pretty annoying after the initial "wow factor" wears off (10 minutes in).
I do know that Michael Bay has been highly influenced by another director that has avidly pushed the 3D experience in movies, James Cameron (Avatar). Here is a very interesting conversation about the use of 3D in movie from pre-poduction, on into post-production. (technical film nerd info alert)
Michael Bay & James Cameron Talk 3D (Extended) from Michael Bay Dot Com on Vimeo.
I loved to hear Michael Bay explain how he really wanted to fine tune the 3D experience in a way that was natural for the scene, using both film and digital shots to create the best end result.
So I look forward to another Michael Bay movie that will wow me with visuals and leave me hanging in the lore department.
I'm really keeping my hopes low for "Dark of the Moon" so that I might be surprised in the end... - Chris
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